Workshops

I hold workshops at several locations in Austria in collaboration with art supply companies in Dornbirn, Vienna and Graz. I offer both foundational introduction  and advanced insights, always progressively structured with attention to essential concepts rather than formulas.

🇦🇹 🇬🇧Workshops in Austria and Germany will usually be in German, but can be bilingual on demand.

2026

Expressive Portrait – Light, Form and Color in Oils

Gerstaecker Dornbirn / Farbenlaube, 26. - 28. 02. 2026

In this 3-day workshop we will cover essential concepts in painting, such as rendering light on form with values and edges and dealing with color in oil paint. Following exercises and basic portrait theory the main project will be an expressive portrait from a chosen reference.

Painting with Oils - Foundations for beginners

In this 1-day workshop we will discuss essential concepts in painting, such as rendering light on form with values and edges and dealing with color in oil paint, as well as qualities of oil paint, color mixing and paint application. A simple motive will be painted in oils to put theory into practice. 

Boesner Wien 26. 03. 2026

Portrait in Oils - For ambitious beginners

This two-day oil painting course introduces participants to essential materials, techniques, and principles of representational painting. It combines color and light theory with hands-on practice, focusing on color mixing, value control and proportions. The course culminates in the step-by-step creation of a portrait using a personal reference image.

Boesner Graz 31. 07. - 01. 08. 2026

Introduction to Oil painting

Discover oil paint’s qualities and versatility in this one-day course, building key foundations for representational painting — from color theory through hands-on mixing, application, and composition. Ideal for beginners. Comfortably combinable with the 2-day follow-up workshop “Expressive Flowers in Acrylics & Oils”.

Gerstaecker Dornbirn / Farbenlaube, 08.10.2026

Expressive Flowers in Acrylics & Oils

Explore an expressive floral motif through the layered interplay of acrylic and oil — from free, experimental acrylic structures to refined oil detailing that adds depth and radiance, with a focus on composition and the balance between abstraction and realism. Works well for larger formats and welcomes your own references. Suitable for beginners, though the instructor’s Oil Painting foundations course is recommended first.

Gerstaecker Dornbirn / Farbenlaube, 09.-10. 10.2026

2027

Expressive Portrait – Light, Form and Color in Oils

Gerstaecker Dornbirn / Farbenlaube, 18. - 20. 02. 2027

In this 3-day workshop we will cover essential concepts in painting, such as rendering light on form with values and edges and dealing with color in oil paint. Following exercises and basic portrait theory the main project will be an expressive portrait from a chosen reference.

Plein air trip 2027

Upper Austria / Salzburg, August 2027

Every year during the hot summer months, I spend time in the Austrian mountains to paint, wind down and reconnect with nature. I would like to invite you to join me in 2027 for a shared outdoor painting experience! I will be offering a 3-day workshop with clear guidance and preparation (including a preparatory Zoom-Call), introduction to important painting principals (like atmospheric perspective, creating depth and focus through color, value and edges etc.) and  individual feedback, all at carefully selected scenic plein air spots. Join the waiting list to be the first to know when details have been decided and booking is open!

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Partners

To me, art training greatly benefits from two intertwining practices:

Firstly, analytical drawing and painting from life. Understanding light and form as it appears in nature, and interpreting it through simplification and compositional tools, lays the foundation for creating believable work in representational art. Recognizing the qualities of the elements in an image (such as shapes, tonal value, temperature, edges, visual weight etc.) and how they interact, complement, and depend on one another, allows you to make intentional decisions and curate your marks with confidence and competence. It is like practicing the scales for musicians—the grammar behind the poetry. 

Secondly, free experimental flow as a way to get in touch with your own voice, preferences, and unique quirks. This is where it gets fun, sometimes uncomfortable, personal and more and more authentic. I find it crucial to link the analytical and the experimental approaches, as they nurture and complement each other, whichever direction your work may lean.
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